Courses – Faculty of Creative Arts and Industries
Music
Stage I
Basic Musical Techniques
An intensive overview of fundamental written skills in music, and practice in aural perception for the general interest student who has some rudimentary knowledge, and also for those wishing to bring their musical skills up to the level of entry to MUS 101.
Restriction: MUSIC 100-102, 104. May not be taken after passing MUS 101 or 102
Materials of Music 1
Develops the fundamental music theory and aural perception skills necessary to be an effective musician, including the study of basic theory, harmony and analysis, and aural skills and musicianship, including a choral performance project.
Prerequisite: MUS 100 or MUSIC 100 or equivalent
Departmental approval required for non-BMus students
Restriction: MUSIC 101, 103, 104, JAZZ 103
Materials of Music 2
Continuation of work begun in MUS 101 in harmony and analysis, aural skills and musicianship.
Prerequisite: MUS 101
Restriction: MUSIC 105, 107
Conducting
An introduction to the study of conducting which includes listening to and writing about a wide variety of music from all historical periods. The practical component of this paper concentrates on posture, patterns and gesture. Studies will include examples from choral and orchestral repertoire.
Prerequisite: Departmental approval required for non-BMus students
Restriction: MUSIC 106
Composition/Sonic Arts Foundation 1
Creativity and craftsmanship in original free composition are studied with some analysis of significant works from the twentieth and twenty-first centuries, and exercises in both note and sound-based approaches to composing. Coordination with performers both within and outside the class is important.
Prerequisite: Departmental approval required for non-Composition major BMus students
Composition/Sonic Arts Foundation 2
Continuation of work begun in MUS 110.
Prerequisite: MUS 110 or MUSIC 110
Introduction to Music Technology
A survey of the technology available to assist musicians. Topics include: human-computer interfaces, computer notation, MIDI sequencing, audio recording, synthesis, sound editing, and multi-track mixing.
Restriction: MUSIC 109 or 183
Performance 1
Individual lessons and performance classes on an approved instrument or voice. (See course outline and instrumental/vocal syllabus for specific curriculum requirements).
Prerequisite: Entrance is by audition. Departmental approval
Restriction: MUSIC 124, 125, 128, 129
Performance 2
Continuation of work undertaken in MUS 120. (See course outline and instrumental/vocal syllabus for specific curriculum requirements.)
Prerequisite: MUS 120 or MUSIC 120
Performance Skills 1
The development of a wide range of performance skills beyond those gained in the instrumental/vocal studio, including ensemble techniques, conducting, languages for singers, pedagogy, orchestral audition skills, second instrument study, musicians' health.
Prerequisite: Departmental approval
Corequisite: MUS 121
Music Project 1
Participation in a collaborative performance project involving any of the following: small instrumental and/or vocal ensemble, choir, orchestra.
Prerequisite: Departmental approval
Writing About Music
A writing-intensive course looking at the ways in which scholars, performers and composers – both contemporary and of the past – have written about key composers and works of Western classical music. Written work is based on styles and contexts common to music. Basic music research skills are developed.
Restriction: MUSIC 144
Turning-points in Western Music
A study of significant people, major discoveries and inventions, and key factors (artistic, intellectual, social, technical) that were important agents of change in Western music. No previous knowledge of music is assumed.
Restriction: MUSIC 144, 144G
New Zealand Music Studies
New Zealand art music and popular music from World War II to the present, with a focus on contemporary practice. A broad range of musical styles and genres and their historical significance and wider social contexts will be discussed, together with notions of cultural identity in music at national and local levels. No previous knowledge of music is assumed.
Restriction: MUSIC 149, 149G
Foundations of Music Education
A conceptual and practical foundation for ongoing work in music education. A survey of the field, the role of the music educator, practical musicianship, and foundational knowledge of music teaching and learning. The exploration of a range of pedagogical contexts. Students are asked to critically reflect on their own musicianship and music learning experiences.
Restriction: MUSED 160
Jazz Performance 1
The development of instrumental technique and improvisational skills though in-depth study of scales, rhythm, harmony and relevant musical analysis. This course prepares students who major in Jazz Performance and includes 1:1 tuition and group based improvisation classes.
Prerequisite: Departmental approval
Corequisite: MUS 172
Restriction: JAZZ 101, 107
Jazz Performance 2
Continuation of the work undertaken in MUS 170.
Prerequisite: MUS 170 or JAZZ 101 and 107
Restriction: JAZZ 102, 108
Jazz Ensembles 1
The application of instrumental and improvisational techniques through performance practice. This course develops stylistic, interpretive and literary musical skills through a variety of large and small ensembles. Students are placed by audition into a small group combo and a large group.
Corequisite: MUS 170
Restriction: JAZZ 111
Jazz Ensembles 2
Continuation of the work undertaken in MUS 172.
Prerequisite: MUS 172 or JAZZ 101
Corequisite: MUS 171
Restriction: JAZZ 112
Jazz Theory 1
An introduction to jazz theory and musicianship skills including aural and harmony. Coursework prepares students for the implementation of fundamental written theoretical skills. This course also includes a keyboard tutorial.
Restriction: MUSIC 101
Jazz Theory 2
A continuation of jazz theory and musicianship skills including aural and harmony. Coursework prepares students for the implementation of fundamental written theoretical skills. This course also includes a keyboard tutorial.
Prerequisite: MUS 174 or MUSIC 101
Restriction: JAZZ 105
Jazz History
The critical examination of musical styles, performers, cultural and industrial contexts surrounding jazz musics from the mid-nineteenth century, including ragtime, through New Orleans, swing, be-bop, cool, free, third-stream and post-bop. In-depth study of primary exponents of various styles. Audio and visual materials are a major component of study.
Restriction: JAZZ 113
Jazz Project 1
Participation and development of pertinent skills towards the completion of a collaborative jazz music project.
Prerequisite: Departmental approval
Creative Practice in Popular Music 1
Exploration of ideas and processes in the creation and presentation of popular music through workshops, seminars, group discussion. Students will write songs, compose music, complete arrangement exercises and present aspects of their coursework in live performance.
Prerequisite: Departmental approval
Restriction: MUSIC 180, POPMUS 100
Creative Practice in Popular Music 2
Continuation of work undertaken in MUS 180.
Prerequisite: MUS 180 or MUSIC 180
Restriction: MUSIC 181, POPMUS 101
Popular Music Performance Skills 1
The development of instrumental and vocal technique and interpretative skills through the in-depth study of scales, rhythm, harmony and the relevant musical analyses of set works. In addition, students will develop skills in improvisation, transcription and sight-reading. This course prepares students who major in Popular Music with 1:1 instrumental tuition and group based ensemble classes.
Prerequisite: Departmental approval
Restriction: JAZZ 131
Popular Music Performance Skills 2
Continuation of the work undertaken in MUS 182.
Prerequisite: MUS 182 or JAZZ 131 or Departmental approval
Restriction: JAZZ 132
Popular Music Theory and Aural 1
Training in practical musicianship and contemporary music writing skills pertinent to a popular music practitioner. Development of aural recognition skills with an emphasis on transcription and sight singing skills.
Restriction: MUSIC 101, JAZZ 105
Popular Music Theory and Aural 2
Continuation of work undertaken in MUS 184.
Prerequisite: MUS 184
Restriction: JAZZ 105
Music Industry Studies
Practical perspectives on power and practice in the popular music industry. Enriched by instruction from experts in the field, this course provides fundamental knowledge enabling students to begin functioning in and examining theoretically the complex workings of the local music industry and its multi-million dollar global counterpart. Practical areas covered include: music promotion, publishing and copyright, management, organisation of functions and festivals, legal issues and manufacture.
Restriction: MUSIC 182
Popular Music Project 1
Participation and development of pertinent skills towards the completion of a collaborative popular music project.
Prerequisite: Departmental approval
Styles and Techniques in Songwriting
A survey of contemporary popular music styles from the perspective of tools of the creative songwriting process. Analysis and discussion of harmonic, melodic, rhythmic and structural concerns of works by prominent songwriters of the last fifty years. Explores connections between the traditional skills of songwriting and the international pop chart.
Restriction: MUSIC 184, POPMUS 107
Special Topic
A Music project as approved by the Head of Department.
Prerequisite: Departmental approval
Special Study
Individual programme of study selected in consultation with staff members and approved by Head of Department.
Prerequisite: Departmental approval
Stage II
Materials of Music 3
Continuation of work begun in MUS 101 and 102 in the development of music theory and aural perception skills necessary to be an effective musician, including the study of harmony and analysis, and aural skills and musicianship, including a choral performance project.
Prerequisite: MUS 102; or MUSIC 102 and MUSIC 103; or MUSIC 105 and MUSIC 107
Restriction: MUSIC 200, 201, 202
Materials of Music 4
Continuation of work begun in MUS 201, including the study of harmony and analysis, aural skills and musicianship.
Prerequisite: MUS 201
Restriction: MUSIC 200
Conducting
This course continues on from year one and introduces baton technique, rehearsal planning and management, and advanced score preparation. Classical symphonies make up the repertoire for score preparation and some of the practical examples.
Prerequisite: MUS 106 or MUSIC 106 and Departmental approval
Restriction: MUSIC 206
Instrumental and Vocal Composition 1
The composition of works for a wide variety of acoustic instruments in conjunction with a study of short pieces. Expansion of technique and realisation of performances.
Prerequisite: MUS 111 or MUSIC 111 and Departmental approval
Corequisite: MUS 214
Instrumental and Vocal Composition 2
Continuation of work undertaken in MUS 210.
Prerequisite: MUS 210 or MUSIC 210 and Departmental approval
Composing for Film
A survey of film composition techniques in conjunction with a study of important works from the domain. Topics include: an introduction to the use of studio resources, effective instrumental/orchestral scoring, film narrative and characterisation, psychoacoustics, electroacoustic music in film contexts, and critical perspectives and writing about film music.
Prerequisite: MUS 111 or 181 or MUSIC 111 or 181 or Departmental approval
Composing Church Music
A survey of practical techniques relating to the composition of music for the contemporary Christian church. Topics include: the influence of music and creative arts in the contemporary church, exploration of the spectrum of music leadership roles within the contemporary church, the vocational craft of composing music for the contemporary church, and critical perspectives and writing about church music.
Prerequisite: MUS 111 or 181 or MUSIC 111 or 181 or Departmental approval
Orchestration 1
Technical aspects of writing for instruments in various ensembles with a primary focus on the orchestra; problems of scoring and arranging for ensembles of various sizes. Emphasis is on practical examples and use of performers within the group wherever possible.
Prerequisite: MUS 102, or MUSIC 102 and 103, or MUSIC 105 and 107 and Departmental approval
Restriction: MUSIC 214
Electroacoustic Music Studies 1
A study of a wide range of expert-domain literature and repertoire including seminal writings from the pioneers of the sound-based music movement, recent articles from world-leading composer-researchers, and studies of significant works from the early twentieth century to the present day. Topics include: the creative process, aspects of language relating to acousmatic, and live genres, and electroacoustic music analysis.
Prerequisite: MUS 102, or MUSIC 102 and 103, or MUSIC 105 and 107 and Departmental approval
Sonic Arts 1
The composition of works for a both live and acousmatic genres supported by relevant technical studies. Emphasis is placed on the development of students' individual creative processes and on the performance of sonic artworks.
Prerequisite: MUS 111 or MUSIC 111 and Departmental approval
Restriction: MUSIC 216
Sonic Arts 2
A continuation and expansion of work begun in MUS 216 Sonic Arts 1.
Prerequisite: MUS 216 or MUSIC 216 and Departmental approval
Restriction: MUSIC 217
Sound Recording and Production 1
A survey of sound recording and production techniques supported by practical studio-based exercises. Topics include: microphone types, patterns, and configurations; vocal and instrumental recording; band and ensemble recording; synthesis; postproduction techniques; and mastering. Coordination with performers both within and outside the class is important.
Prerequisite: MUS 119 or MUSIC 109 or POPMUS 103 or MUSIC 183 or Departmental approval
Restriction: MUSIC 209, 283
Performance 3
Further performance work, involving weekly individual lessons and performance classes. (See course outline and instrumental/vocal syllabus for specific curriculum requirements).
Prerequisite: MUS 121 or MUSIC 121 or MUSIC 124 or MUSIC 125 or MUSIC 128
Restriction: MUSIC 220, 224, 225, 228, 229
Performance 4
Continuation of work undertaken in MUS 220. (See course outline and instrumental/vocal syllabus for specific curriculum requirements).
Prerequisite: MUS 220 or MUSIC 220
Restriction: MUSIC 221, 224, 225, 228, 229
Performance Skills 2
Further development of a wide range of performance skills beyond those gained in the instrumental/vocal studio, including ensemble techniques, conducting, languages for singers, pedagogy, orchestral audition skills, second instrument study, musicians' health.
Prerequisite: MUS 122 or MUSIC 120 and 121 and Departmental approval
Corequisite: MUS 220 or MUS 221
Performance Skills 3
Further development of a wide range of performance skills beyond those gained in the instrumental/vocal studio, including ensemble techniques, conducting, languages for singers, pedagogy, orchestral audition skills, second instrument study, musicians' health.
Prerequisite: MUS 122 or MUSIC 120 and 121 and Departmental approval
Corequisite: MUS 220 or MUS 221
Elements of Performance Practice
A survey of aspects of performance practice of music from the eighteenth century to the present day. The course will enable students to develop instrument and genre specific knowledge that will enhance their ability to approach performance on their own instrument with stylistic awareness and knowledge of specific techniques, including contemporary techniques where relevant. Required for students in the performance major.
Prerequisite: MUS 140 or MUSIC 144
Restriction: MUSIC 251
Music Project 2
Participation in a collaborative performance project involving any of the following: small instrumental and/or vocal ensemble, choir, orchestra.
Prerequisite: Departmental approval
History, Music and Ideas
Case studies in historically-specific musical phenomena that engage music and significant strains of cultural influence. The emphasis is on Western music and culture.
Prerequisite: MUS 102 and 140, or MUSIC 105 and 107 and 144
Contemporary Music Culture
Case studies in significant issues and developments within contemporary musical culture.
Prerequisite: MUS 102 and 140, or MUSIC 105 and 107 and 144
Special Topic
Prerequisite: 30 points at Stage I in Music
Special Topic
Prerequisite: 30 points at Stage I in Music
Critical Studies in Music Education
An exploration of critical and creative ideas related to the learning and teaching of music. The emphasis is on discovering theoretical, developmental and practical knowledge that enhances the music learning experience. An inquiry approach is taken where students study both set topics and chosen topics of interest.
Prerequisite: MUS 160 or MUSED 160
Restriction: MUSED 260
Practical Pedagogy
A practical introduction to music pedagogy through audiation, singing and/or beginner instrumental and ensemble learning. Various pedagogical aspects are considered: planning and lesson design, repertoire, teaching methods and strategies, aural and technical development, learner attributes, and assessment and evaluation.
Prerequisite: MUS 160 or MUSED 160 or Departmental approval
Jazz Performance 3
The development of instrumental technique and improvisational skills though in-depth study of scales, rhythm, harmony and relevant musical analysis. This course prepares students who major in Jazz Performance and includes 1:1 tuition and group based improvisation classes.
Prerequisite: MUS 171 or JAZZ 102 and 108 or 131
Restriction: JAZZ 201, 207
Jazz Performance 4
Continuation of the work undertaken in MUS 270.
Prerequisite: MUS 270 or JAZZ 201 and 207
Restriction: JAZZ 202, 208
Jazz Ensembles 3
The application of instrumental and improvisational techniques through performance practice. This course develops stylistic, interpretive and literary musical skills through a variety of large and small ensembles. Students are placed by audition into a small group combo and a large group.
Prerequisite: MUS 173 or JAZZ 112
Corequisite: MUS 270
Restriction: JAZZ 211
Jazz Ensembles 4
Continuation of the work undertaken in MUS 272.
Prerequisite: MUS 272 or JAZZ 211
Restriction: JAZZ 212
Jazz Theory 3
An exploration of more advanced jazz theory and musicianship skills including aural and harmony. Coursework prepares students for the implementation of fundamental written theoretical skills. This course also includes a keyboard tutorial.
Prerequisite: MUS 175 or JAZZ 105 or MUSIC 101
Restriction: JAZZ 203
Jazz Composition and Arranging 1
Composition and arranging in the jazz idiom exploring small ensemble and big band contexts. Scoring, voicing concepts and sectional writing that assist students in the development of a portfolio of work.
Prerequisite: MUS 274 or JAZZ 203
Restriction: JAZZ 206
Jazz Project 2
Participation and development of pertinent skills towards the completion of a collaborative jazz music project.
Prerequisite: Departmental approval
Creative Practice in Popular Music 3
Specific exploration and the continued development of ideas and processes in the creation and presentation of popular music through workshops, seminars, group discussion. Students will write songs, compose, complete arrangement exercises and present aspects of their coursework in live performance.
Prerequisite: MUS 181 or MUSIC 181 or POPMUS 101
Restriction: MUSIC 280 or POPMUS 200
Creative Practice in Popular Music 4
Continuation of work undertaken in MUS 280.
Prerequisite: MUS 280 or MUSIC 280 or POPMUS 200
Restriction: MUSIC 281 or POPMUS 201
Popular Music Performance Skills 3
Further development of instrumental and vocal technique and interpretative skills through the in-depth study of scales, rhythm, harmony and the relevant musical analyses of set works. In addition, students will develop skills in improvisation, transcription and sight-reading. This course prepares students who major in Popular Music with 1:1 instrumental tuition and group based ensemble classes.
Prerequisite: MUS 183 or JAZZ 132 or MUSIC 124
Restriction: JAZZ 231
Popular Music Performance Skills 4
Continuation of the work undertaken in MUS 282.
Prerequisite: MUS 282 or JAZZ 231
Restriction: JAZZ 232
Popular Music Theory and Aural 3
Further training in practical musicianship and contemporary music writing skills pertinent to a popular music practitioner. Continued development of aural recognition skills with an emphasis on transcription and sight singing skills.
Prerequisite: MUS 185 or MUSIC 101 or JAZZ 105
Restriction: MUSIC 289, POPMUS 210
Popular Music Analysis
Musical analysis in the popular music idiom. Techniques of deconstructing music and text from a variety of musical styles in order to identify significant characteristics or trends in composition and lyric writing. A central focus of this study will be the interaction of composition, arrangement, text and instrumentation.
Prerequisite: MUS 284 or MUSIC 289
Restriction: MUSIC 287, POPMUS 207
Music Industry Studies Project
An in-depth examination and discussion of the popular music industry focusing on areas pertinent to creative practitioners. Students will explore and analyse issues surrounding self-management, record labels, the World Wide Web, media, legal issues, copyright, promotion and artist management. Students will devise and plan a creative project including a project management plan.
Prerequisite: MUS 186 or MUSIC 182 or POPMUS 102 or Departmental approval
Restriction: MUSIC 282
Special Topic
A Music project as approved by the Head of Department.
Prerequisite: Departmental approval
Special Study
Individual programme of study selected in consultation with staff members and approved by Head of Department.
Prerequisite: Departmental approval
Special Study
Individual programme of study based on the professional application of a practical music skill.
Prerequisite: Departmental approval
Stage III
Conducting
Conducting at Stage III assumes a level of competency in gesture and baton technique. This course gives students the opportunity to engage with a variety of ensemble situations both instrumental and choral/vocal; keyboard and voice, large choral ensemble, recitative and aria, and instrumental ensemble. There is a modest keyboard component that works on the skills needed for score preparation and rehearsals.
Prerequisite: MUS 206 or MUSIC 206 and Departmental approval
Restriction: MUSIC 306
Choral Techniques
Provides students with an introduction to the choral techniques that a choral conductor will need in the profession. These include: keyboard score-reading skills, the vocal mechanism and pedagogy, IPA, the elements of good rehearsal practice and an overview of choral repertoire.
Prerequisite: MUS 306 or MUSIC 306 and Departmental approval
Instrumental and Vocal Composition 3
Composing for various instrumental and vocal resources; computer notation; study of major twentieth century composers and their methods.
Prerequisite: MUS 210 or 211, or MUSIC 210 or 211
Corequisite: MUS 314
Restriction: MUSIC 310
Instrumental and Vocal Composition 4
Continuation of work undertaken in MUS 310, including a substantial chamber work.
Prerequisite: MUS 310 or MUSIC 310
Corequisite: MUS 214 or MUS 314
Restriction: MUSIC 311
Practice-led Research Project
Individually negotiated practice-led research projects supported by studies in scholarly approaches to composing. Research findings will be presented through aspects of creative works that make themselves apparent during the listening process, and supported through retrospective logical enquiry. Reports will contain both extracts of creative work and written submissions.
Prerequisite: MUS 211 or 217, MUSIC 211 or 217
Sound Design
A survey of sound design techniques supported by practical studio-based exercises. Topics include: automatic dialogue replacement (ADR), sound effects recording (Foley), soundscape recording, three-dimensional sound modeling, computer-generated music, and psychoacoustics.
Prerequisite: MUS 216 or 219, or MUSIC 216 or 283 or POPMUS 203
Orchestration 2
A continuation and expansion of the topics addressed in MUS 214. Relationships to acoustics, synthesis applications and educational implications will also be explored. Students are expected to develop their familiarity with concert repertoire.
Prerequisite: MUS 214 or MUSIC 214
Restriction: MUSIC 215
Electroacoustic Music Studies 2
A continuation and expansion of the topics addressed in MUS 215. Examination of expert-domain literature and repertoire is broadened to include: multichannel acousmatic electroacoustic music (EAM), performance-based EAM (with live electronics and/or acoustic instruments and/or dance), EAM with moving images, and interactive installation/sonic sculpture.
Prerequisite: MUS 215
Sonic Arts 3
The composition of works for a wide variety of genres including: multichannel acousmatic music, performance-based sonic art (with live electronics and/or acoustic instruments and/or dance), electroacoustic music with moving images, and interactive installation/sonic sculpture. The development of creative work will be supported by relevant technical studies and facilitation of students' individual creative processes.
Prerequisite: MUS 217 or MUSIC 217
Sonic Arts 4
A continuation and expansion of the work undertaken in MUS 316. The end-of-semester folio will include a substantial work from one of the specialist genres studied.
Prerequisite: MUS 316
Sound Recording and Production 2
Instruction in the use of the School of Music's professional-level recording studios supported by practical exercises in popular music production. Topics include: vocal, guitar, and drum recording; synthesis; industry-standard postproduction techniques; and mastering. Coursework will require coordination with performers both within and outside the class.
Prerequisite: MUS 219, or MUSIC 209 or POPMUS 203
Restriction: MUSIC 383, POPMUS 303
Sound Recording and Production 3
A continuation and expansion of the topics addressed in MUS 318 including group projects that concentrate on the production of a popular music 'single'. Coursework will require coordination with performers both within and outside the class.
Prerequisite: MUS 318
Performance 5
Further performance work, involving weekly individual lessons and performance classes. (See course outline and instrumental/vocal syllabus for specific curriculum requirements).
Prerequisite: MUS 221 or MUSIC 221 or MUSIC 225 or MUSIC 228
Restriction: MUSIC 320, 328, 329
Performance 6
Continuation of work undertaken in MUS 320.
Prerequisite: MUS 320 or MUSIC 320
Performance Skills 4
Further development of a wide range of performance skills beyond those gained in the instrumental/vocal studio, including ensemble techniques, conducting, languages for singers, pedagogy, orchestral audition skills, second instrument study, musicians' health.
Prerequisite: MUS 223 or MUSIC 220 and 221 and Departmental approval
Corequisite: MUS 320 or 321
Performance Skills 5
Further development of a wide range of performance skills beyond those gained in the instrumental/vocal studio, including ensemble techniques, conducting, languages for singers, pedagogy, orchestral audition skills, second instrument study, musicians' health.
Prerequisite: MUS 322 or MUSIC 220 and 221 and Departmental approval
Corequisite: MUS 320 or 321
Advanced Studies in Performance Practice
Studies in aspects of historical performance practice, using eighteenth century treatises as well as secondary sources. Exploration of topics including rhetoric, gesture, baroque dance, ornamentation and articulation patterns. Study of an historic instrument may be available as an elective within this course.
Prerequisite: MUS 224 or MUS 220 and 221 or MUSIC 220 and 221
Restriction: MUSIC 351
Music Project 3
Participation in a collaborative performance project involving any of the following: small instrumental and/or vocal ensemble, choir, orchestra.
Prerequisite: Departmental approval
Sound, Style and Syntax
A follow-on course from MUS 202, which focuses on more complex and in-depth analysis of repertoire from the eighteenth to the twenty-first centuries.
Prerequisite: MUS 140, MUS 202 or MUSIC 200
Restriction: MUSIC 301
Topic in Musicology
A seminar-based course dealing with a specific area of research in Western music history.
Prerequisite: MUS 202 and 240 and 241 or 15 points from MUSIC 241-247
Analytical Methods
A study of repertory focusing on the deployment of specific analytical techniques and working methods, such as voice-leading analysis, schemata, topics, metrical analysis or form-function analysis.
Prerequisite: MUS 140 and MUS 202 or MUSIC 200
Restriction: MUSIC 302
Special Topic
Prerequisite: 30 points at Stage II in Music
Special Topic
Prerequisite: 30 points at Stage II in Music
Special Topic
Prerequisite: 30 points at Stage II in Music
Special Topic
Prerequisite: 30 points at Stage II in Music
Special Topic
Prerequisite: 30 points at Stage II in Music
Music Education Research
Current research in the practice and theory of music education and an introduction to music education research methodologies. Students undertake fieldwork in a music education related area.
Prerequisite: MUS 260 or 261 or MUSED 260 or 261
Restriction: MUSED 360
Practical Pedagogy Project
Pedagogical knowledge and skills for musicians considering practical music teaching as part of their portfolio career. Students undertake a practical music teaching project. Note: specific teaching contexts depend on teacher availability.
Prerequisite: MUS 261 or MUSED 261 or Departmental approval
Jazz Performance 5
The development of advanced instrumental technique and improvisational skills though in-depth study of scales, rhythm, harmony and relevant musical analysis. This course prepares students who major in Jazz Performance and includes 1:1 tuition and group based improvisation classes.
Prerequisite: MUS 271 or JAZZ 202 and JAZZ 208 or 231
Restriction: JAZZ 301, 307
Jazz Performance 6
Continuation of the work undertaken in MUS 370 along with ensemble performances. Students prepare for a 50-minute public recital of their original arrangements, compositions and improvisations.
Prerequisite: MUS 370 or JAZZ 301 and 307
Restriction: JAZZ 302, 308
Jazz Ensembles 5
The application of instrumental and improvisational techniques through performance practice. This course develops stylistic, interpretive and literary musical skills through a variety of large and small ensembles. Students are placed by audition into a small group combo and a large group.
Prerequisite: MUS 273 or JAZZ 212
Restriction: JAZZ 312
Jazz Composition and Arranging 2
Composition and arranging in the jazz idiom exploring small ensemble and big band contexts. Scoring, voicing concepts and sectional writing that assist students in the development of a portfolio of work.
Prerequisite: MUS 275 or JAZZ 206
Restriction: JAZZ 306
Jazz Research
The preparation and presentation of essays and practical seminars on a performer or period of stylistic development related to principal instrument or major study.
Corequisite: MUS 370 or MUS 371
Restriction: JAZZ 313
Jazz Project
Participation and development of pertinent skills towards the completion of a collaborative jazz music project.
Prerequisite: Departmental approval
Creative Practice in Popular Music 5
More advanced exploration and the continued development of ideas and processes in the creation and presentation of popular music through workshops, seminars, and group discussion. Students will write songs, compose, complete arrangement exercises and present aspects of their coursework in live performance.
Prerequisite: MUS 281 or MUSIC 281 or POPMUS 201
Restriction: POPMUS 300, MUSIC 380
Creative Practice in Popular Music 6
Continuation of work undertaken in MUS 380.
Prerequisite: MUS 380 or MUSIC 380 or POPMUS 300
Restriction: POPMUS 301, MUSIC 381
Popular Music Performance Skills 5
More advanced development of instrumental and vocal technique and interpretative skills through the in-depth study of scales, rhythm, harmony and the relevant musical analyses of set works. In addition, students will develop skills in improvisation, transcription and sight-reading. This course prepares students who major in Popular Music with 1:1 instrumental or vocal tuition and group based ensemble classes.
Prerequisite: MUS 283 or JAZZ 232 or MUSIC 224
Restriction: JAZZ 331
Popular Music Performance Topic
Continuation of the work undertaken in MUS 382 with further emphasis on ensemble practice and performance and arrangement skills.
Prerequisite: MUS 382 or JAZZ 231
Restriction: JAZZ 332
Invasion to Anarchy
Traces musical developments in British rock music from 1965-77, with a focus on images of American music reinterpreted by British writers and performers. Key British Invasion bands and the transformations of pop-inflected rock of the mid-sixties into late sixties rock, heavy metal, psychedelic rock, glam and punk.
Prerequisite: 185 points passed
Restriction: MUSIC 385, POPMUS 305
Topics in Popular Music Studies
Selected topics that address key issues informing the creation and performance of Popular Music and its reception.
Prerequisite: 185 points passed
Special Topic
A Music study project as approved by the Head of Department.
Prerequisite: Departmental approval
Special Study
Individual programme of study selected in consultation with staff members and approved by Head of Department.
Prerequisite: Departmental approval
Diploma Courses
Performance Studies and Recital
Advanced work in all aspects of solo performance. Relevant ensemble work, including orchestral rehearsals and performance, may be required. Preparation for and performance of a public recital.
Prerequisite: At least a B- grade in MUS 321 or MUSIC 321 and Departmental approval
To complete this course students must enrol in MUS 620 A and B
Postgraduate 700 Level Courses
Advanced Analysis
This course develops advanced analytical research skills, focusing on one or more specific repertoires and/or analytical techniques (such as voice-leading analysis, schemata, topics, set theory, metrical analysis or form-functional analysis).
Prerequisite: MUS 340 or 342 or MUSIC 301
Instrumental and Vocal Composition Research Portfolio
A folio of compositions for a wide range of media, voices, and instruments.
Prerequisite: MUS 311 or MUSIC 311 and Departmental approval
Restriction: MUSIC 710
To complete this course students must enrol in MUS 710 A and B
Advanced Orchestration
Orchestration and instrumentation in the twentieth century, including contemporary instrumental and vocal techniques, with practical scoring exercises.
Prerequisite: MUS 314 or MUSIC 215 and Departmental approval
Restriction: MUSIC 714
To complete this course students must enrol in MUS 714 A and B
Advanced Electroacoustic Music Studies
Examination of a range of expert-domain literature and repertoire with a focus on advanced methods of electroacoustic music analysis and practice-led research. The end-of-year written submission should be of a scholarly standard suitable for submission to international conferences.
Prerequisite: MUS 315 and Departmental approval
To complete this course students must enrol in MUS 715 A and B
Sonic Arts Research Portfolio
The composition of works for a wide variety of sonic arts genres. The end-of-year folio will contain a substantial work demonstrating the student's understanding of large-scale form.
Prerequisite: MUS 317 or MUSIC 317 and Departmental approval
Restriction: MUSIC 715
To complete this course students must enrol in MUS 716 A and B
Performance Research I
Creative research in aspects of solo performance. Relevant ensemble work, including orchestral rehearsals and performance, may be required.
Prerequisite: MUS 320 or 307 or MUSIC 321 or 328, or Departmental approval
Restriction: MUSIC 722, 723, 728
Performance Research II
Continuation of the creative research undertaken in MUS 720.
Prerequisite: MUS 720 or MUSIC 720
Restriction: MUSIC 722, 723, 728
Chamber Music Research I
Advanced work in the field of chamber music and ensemble playing.
Corequisite: MUS 720 or 721
Chamber Music Research II
Advanced work in the field of chamber music and ensemble playing.
Corequisite: MUS 720 or 721
Performance Pedagogy I
The study of instrumental technique, repertoire and aspects of pedagogy for studio teaching.
Prerequisite: MUS 321, 323 or Departmental approval
Performance Pedagogy II
The study of instrumental technique, repertoire and aspects of pedagogy for studio teaching.
Prerequisite: MUS 724
Aspects of Performance Practice
Selected research for discussion and investigation from the field of Performance Practice and its documentation. The study of source materials; individual projects; performance and/or teaching and direction of music from the area studied.
Prerequisite: MUS 224 or 324 or MUSIC 251 or 351 or Departmental approval
Restriction: MUSIC 751
Concepts and Methods in Historical Musicology
An overview of the discipline of historical musicology: its principal concepts and associated methods of research. Students consider key texts from the scholarly literature and design an individual research topic of interest. This course also helps to develop advanced writing skills. (Suitable for Musicology majors as well as students from Classical Performance, Composition, Jazz Performance and Popular Music majors with an interest in musicology).
Prerequisite: MUS 340 or 342, 341 or Departmental approval
Restriction: MUSIC 750
Concepts and Methods in Practical Music Research
An overview of concepts and methods for practical, creative and music education research. Students investigate different forms of creative and qualitative research, surveys, action research and practice-led research, and design an individual music research topic of interest. (Suitable for Music Education/Studio Pedagogy majors as well as students from Classical Performance, Composition, Jazz Performance and Popular Music majors with an interest in practical research).
Prerequisite: Departmental approval
Independent Music Research
An independent course of music research.
Prerequisite: Departmental approval
Choral Repertoire and Pedagogy
An overview of choral literature and the pedagogical skills to bring the discipline to the rehearsal room and the concert platform. The course includes analysis, score preparation and attendance at rehearsals/performances of community, tertiary and secondary ensembles.
Prerequisite: MUS 206 or MUSIC 206
Restriction: MUSIC 348
Research Project
Research Project
Special Topic
Special Topic
Special Topic
Special Topic
Special Topic
Special Topic
Themes in Music Education Research
A survey of recent Music Education research themes, topics and findings, along with implications and applications for teaching practice and music learning.
Prerequisite: 15 points at Stage III in Music Education or Departmental approval
Studio Pedagogy and Research
The study of practical concepts and research for studio pedagogy in selected contexts from vocal, instrumental, composition, jazz and popular music learning. Explorations of teaching practices, repertoire, concept/skill/technical development, lesson design and pedagogical research.
Prerequisite: 15 points at Stage III in Music Education or MUS 323 or Departmental approval
Jazz Performance Research I
Practical research in instrumental technique leading to the development of advanced improvisational skills. Students prepare a recital reflecting the technical work undertaken in the semester. Students engage with practice through ensemble and 1:1 instruction.
Prerequisite: MUS 371 or JAZZ 302
Jazz Performance Research II
A continuation of the work undertaken in MUS 770.
Prerequisite: MUS 770
Jazz Composition and Arranging I
Jazz arranging and composition for mixed ensembles. Through the analysis and study of advanced compositional and orchestration techniques, students produce original research material for recorded portfolio. Students are encouraged to perform with a 'mentor' from the jazz faculty in the development of a creative process and individual style.
Prerequisite: MUS 376 or JAZZ 306
Jazz Composition and Arranging II
A continuation of work undertaken in MUS 772 for a variety of ensembles.
Prerequisite: MUS 772
Jazz Collaborative Project
Students undertake a research project combining compositional and performance elements from multiple genres: world music, classical, rock, for example, in a blend of contemporary influences. Students contribute original material and written documentation for a recorded portfolio.
Prerequisite: MUS 376 or JAZZ 306, and MUS 371 or JAZZ 302
Popular Music Composition Research Portfolio I
The development of advanced song writing and popular music composition skills. Students engage in an in-depth study of lyric writing, word setting, and compositional elements, compose a significant body of new songs and compositions, and produce a research portfolio of recordings and scores of these works.
Prerequisite: MUS 381 or Departmental approval
Popular Music Composition Research Portfolio II
A continuation of the work undertaken in MUS 780. Students compose a significant body of new songs and compositions, and produce a research portfolio of recordings and scores of these works.
Prerequisite: MUS 780
Popular Music Performance Research I
Practical research in instrumental technique leading to the development of advanced performance skills relevant to the student's personal approach to composition and songwriting. Students prepare a recital reflecting the technical research undertaken in the semester. Students engage with practice through ensemble and 1:1 instruction.
Prerequisite: MUS 382 or 383 or Departmental approval
Popular Music Performance Research II
A continuation of the work undertaken in MUS 782. Students prepare a recital reflecting the technical research undertaken in the semester. Students engage with practice through ensemble and 1:1 instruction.
Prerequisite: MUS 782
Popular Music Arranging and Instrumentation
Popular music instrumentation and arranging for mixed ensembles. Through the analysis and study of advanced composition and orchestration techniques, students produce original material for a recorded research portfolio. Students are required to step outside the confines of the traditional popular music band ensemble and arrange for a much wider mix of instruments.
Prerequisite: MUS 381 or Departmental approval
Dissertation
Prerequisite: Departmental approval
Restriction: MUSIC 789
To complete this course students must enrol in MUS 790 A and B
Performance Research
Performance Ensemble – Presentation of at least one of the following: a concerto or similar work with orchestra; a lecture recital; a chamber work; such other work as has been approved by the Head of Music. Recital – A concert recital in an approved instrument or voice.
Prerequisite: MUS 721 or MUSIC 721, or MUSIC 722 and 723, or MUSIC 728
To complete this course students must enrol in MUS 792 A and B
Composition Research Portfolio
Prerequisite: MUS 710 or MUSIC 710
To complete this course students must enrol in MUS 795
A and B
Thesis
Prerequisite: MUS 740 or 741 or MUSIC 750
To complete this course students must enrol in MUS 796 A and B
Research Portfolio
To complete this course students must enrol in MUS 797 A and B
Source: The University of Auckland 2012 Online Calendar
Last updated on: Tuesday 1 November 2011
Viewed on:
- MUS 100
- MUS 101
- MUS 102
- MUS 106
- MUS 110
- MUS 111
- MUS 119
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- MUS 391
- MUS 620A
- MUS 620B
- MUS 701
- MUS 710A
- MUS 710B
- MUS 714A
- MUS 714B
- MUS 715A
- MUS 715B
- MUS 716A
- MUS 716B
- MUS 720
- MUS 721
- MUS 722
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- MUS 724
- MUS 725
- MUS 726
- MUS 740
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- MUS 748
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- MUS 770
- MUS 771
- MUS 772
- MUS 773
- MUS 774
- MUS 780
- MUS 781
- MUS 782
- MUS 783
- MUS 784
- MUS 790A
- MUS 790B
- MUS 792A
- MUS 792B
- MUS 795A
- MUS 795B
- MUS 796A
- MUS 796B
- MUS 797A
- MUS 797B


